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Five Under Fifteen - April







From the heart of Washington wine country, in tough times, we continue the search for good, inexpensive wines.

For this month’s Five Under Fifteen, I thought I would write a bit about labels. For many, wine is as much about what is on the outside of the bottle as what is inside it. This is especially true for wines in the value category. Wineries look for a variety of ways to catch people’s attention with label design. However, what I am always interested to see is what wineries put on the back label. Many wineries use the back of the bottle to try to express something about the wine or the winery. Here are a few examples of different types of back-of-bottle approaches from this month's wines.

The first wine comes from L’Ecole No. 41. L’Ecole is located in Lowden, Washington, a short distance from Walla Walla. The winery building is iconic, located in a 1915 schoolhouse whose image adorns their labels. The wine sampled here is a 2009 Chenin Blanc from Willard Family Farms in the Rattlesnake Hills. I picked up a bottle of this wine at the winery on the way in to Walla Walla for Spring Release yesterday. This is a delicious wine that offers excellent value at this price point. The back of the 2009 Chenin Blanc reads: “L’Ecole No. 41 has been producing premium varietal wines in the Walla Walla Valley since 1983 in the cellars of the historic Frenchtown School depicted on our label. 'Walla Voila' is a trademark of L’Ecole No. 41 and captures the fresh and frivolous character of this tart, lightly sweet and delightfully fruity Chenin Blanc.”

The next wine comes from the NW Vine Project (NWVineProject.com is listed on the bottle, although the website was not active when I checked). This is a collection of value priced wines made for an Oregon distributor by an top-notch group of winemakers including David O'Reilly (Owen Roe), Andrew Rich (Andrew Rich Wines), and James Mantone (Syncline). This wine, the 2008 Red Splendor, is a Mourvedre, Grenache, and Syrah blend. The wine is made by Rich, using fruit from the Horse Heaven Hills although the wine is labeled Columbia Valley.

The Red Splendor bottle contains an elaborate description which runs diagonally along the side of the label. This description reads: “This great jewel, blessed with the wisdom of the ages and the splendors of the Northwest is made from grapes well endowed to the point of obscene. Born from the tumult of volcanic eruptions of the Cascade Range and the great Missoula floods of 15,000 years ago as the last ice age ended, bringing unimaginable walls of water and a largish chunk of Montana to the Pacific Northwest, carving out the Columbia Gorge, and with a massive surge of water and glacier and earth, blanketing the Willamette Valley with microscopic magnificence, and, pacified only by the vastness of the ocean, melted, perhaps with the very concept of what had been done. My Lord, do you know what you hold in your hand?” It goes on to say a “A full-bodied Columbia Valley Red Wine.” Wow!

The next wine comes from Charles Smith who also makes K Vintners and Magnificent Wine Company wines. This wine is part of Smith’s ‘Modernist project.’ The goal is to create wines made for immediate consumption that still show both typicity and location. The 2009 Kung Fu Girl Riesling hails from Evergreen Vineyard, which is located in a region currently seeking American Viticultural Area (AVA) status. The back of the bottle of the Kung Fu Girl Riesling reads simply, “Land to Hand. Vineyard to bottle.” It also contains a picture of a rice bowl with chopsticks. This wine was our April Virtual tasting wine. Several people on Twitter noted very tiny bubbles in the wine. I did not. Overall, I found this to be a very enjoyable wine although not quite as impressive as the previous vintage.

Olsen Estates is a family winery located in Prosser, Washington. Olsen Estates makes a wide variety of wines across a range of price points. Their 2007 Heritage wine was the runner-up in our 2009 Reader Survey Wine of the Year. Their 2007 Chardonnay and Petit Verdot were among my favorite wines from last year. This is Olsen Estates' entry-level red wine. The back of the Olsen Estates bottle reads, “From bud break to bottle, our Vineyard Manager and Winemaker work closely together to produce wines that reflect the terroir of carefully chosen sites our family has planted, best suited for each varietal. Perfect climate and ideal soils combined with sustainable viticulture and careful monitoring in the cellar produce distinctive varietal characters in each of our wines.”

Next is a Haystack Needle wine made by Clubhouse Cellars. The following is on the back label. “Haystack Needle…Treasures lost…and Found! Great overlooked wines at prices you’ll love. It takes a lot of searching…but it’s Worth It!”

While I have enjoyed some of the previous offerings from the Haystack Needle line, I found this wine to be subpar. While not technically flawed, I am unable to give it a dot (‘.’) rating as it is not representative of other solidly made wines in this category. I am therefore listing the wine with a rating of minus (‘-‘) and amending my rating system to include this wine and similar wines as either ‘Flawed’ or ‘Not Recommended.’ Subsequent wines will be listed as ‘Flawed/Not Recommended.’

L’Ecole No. 41 Chenin Blanc Columbia Valley 2009 $14
Rating: * (Excellent) Light lemon yellow in color. A very pretty, aromatic nose with honeysuckle, mineral, straw, and floral notes. The palate brings a lot of fruit while remaining very crisp with a slight citric tinge and a touch of sweetness toward the finish. 100% Chenin Blanc. Willard Family Farms, Rattlesnake Hills. 13.5% alcohol. 1% Residual Sugar. 2,536 cases produced.

NW Vine Project Red Splendor Columbia Valley 2008 $13

Rating: + (Good) A fun, appealing nose with some funk (in a good way), lots of white pepper, blueberries, and light floral notes. On the palate, flows evenly with restrained, tart fruit. Finish has a slight bite on an otherwise enjoyable wine with a great nose. A bit lean by itself but pairs well with food. 44% Mourvedre, 36% Syrah, and 20% Grenache. 14.1% alcohol.

Charles Smith Kung Fu Girl Riesling Washington State 2009 $13
Rating: + (Good) Very pale lemon yellow. A pleasing nose with a cornucopia of fruit including apple, melon, and pear. As the wine opens up peaches also emerge. On the palate, a lot of fruit, especially lime, while remaining very dry with a puckering zing of acidity. Finish comes up a bit short on an otherwise very enjoyable wine. Needs food to balance out the acidity. 100% Riesling. Evergreen Vineyard. Aged in stainless steel. 1.41% Residual Sugar. 12.5% alcohol.

Olsen Estates Red Wine Yakima Valley 2007 $10

Rating: . (Decent) Lots of black cherry aromas along with spice, mocha, and wood. Shows a lot of sweet components on the nose as well. Taste is straightforward and pleasant but gets a bit sharp in the middle. 14.2% alcohol.

Clubhouse Cellars Haystack Needle Syrah Columbia Valley NV
$10
Rating: - (Flawed/Not Recommended) Volatile aromas, licorice, green notes, and lemon juice along with oak aromas on an off-putting nose. Taste is considerably better but lacks balance. Not flawed but far enough down the scale that I can’t list it higher. 13.9% alcohol.

The Seattle Wine Awards

The Seattle Wine Awards was started by Christopher Chan in 2006. Chan, a certified sommelier, serves as Director of Wine & Spirits at Seattle's Rainier Club. He says his goal each year is to identify and recognize the Northwest’s best wines.

To do so, Chan has tasting panels sample through hundreds of wines over several days. Each panel is composed of five people, including local sommeliers and long-time industry leaders such as Jay Schiering (Mccarthy & Schiering), Phillip Dunn (Canlis), Jeff Fournier (Esquin), Jake Kosseff (Wild Ginger Restaurants), and Amy Mumma (Central Washington University).

Wines are grouped by variety, but the panel is otherwise blind to information about the wine, including price. The panel generates a consensus score, and medals are awarded to wines that receive scores above a specified level. Awards are given based on both variety and price category.

That’s the hard part. The easy part is celebrating the wineries that have received medals. The Seattle Wine Awards holds a Grand Awards Tasting each year. The event takes place at the incomparable Rainier Club (a dinner here played a significant role in my falling in love with wine I must add). Unlike most events, all of the wines poured at the Grand Awards Tasting are medal winners with the winemakers on hand pouring. This year’s Grand Awards Tasting takes place on Sunday June 13th. Tickets are $125 for VIP admission (2pm to 7pm) and $85 for General Admission (4pm to 7pm). These prices are discounted $25 until April 30th.

Chan describes the Seattle Wine Awards is a “labor of love.” When he started the event in 2006, 274 wines were submitted. The following year 454 wines were submitted. This year Chan expects almost 800 wines to be submitted. Chan says the Seattle Wine Awards is “ultimately all about the consumer” with the goal of helping people identify the highest quality wines.

More about the Seattle Wine Awards and ticket information here.

Final Update! April Virtual Tasting - '09 Charles Smith Kung Fu Girl Riesling

In honor of spring, this month's Virtual Tasting wine is the 2009 Charles Smith Kung Fu Girl Riesling. This wine retails for $12 and is widely available. The tasting takes place tonight from 7-9pm Pacific Time.

What you need to do to participate is:

1. Buy the wine from a local retailer or from the winery

2. Post your comments/tweets on the wine tonight between 7 and 9pm. For those on Twitter, follow me @wawinereport. I will be using the hashtag #WAwine during the event.

Look for regular updates to the blog and comments from virtual tasters starting at 7pm. Hope you'll join us.

Note: Several earlier references to the wine mentioned the 2008 vintage. The 2009 is the current release.

7:05pm Update: And we're off. For those on Twitter, we will be using the hashtag #WAwine.

Some background on the idea behind Kung Fu Girl Riesling from a recent Chicago Tribune article. "
Who else would be watching the final scenes of Quentin Tarantino's " Kill Bill" with his label designer, Rikke Korff, and start to visualize a riesling bottle emblazoned with a faceless Kung Fu girl in full battle stance?"

To the wine!

7:20 Update: But first, some background. Regarding the Charles Smith label, the website describes it as follows: "...Charles Smith brings you his latest revelation. Charles Smith Wines: The Modernist Project is a response to how people generally consume wine today, that is immediately…as in immediately after being purchased at a market, restaurant or bar, to be drunk straight away. Wine in this category is typically ether simple, or is a wine that would be much better a few years down the road. ‘Modernist Project’ wines are about putting as much into the bottle as possible. The intent is to create wines to be enjoyed now, but with typicity with regards to variety—that is merlot that tastes like merlot—and to the vineyard—wine that tastes like where it was grown. The wines are full of flavor, balanced, and true to their place of origin."

8:00 Update: Popped and poured this screw cap wine. Very light lemon yellow in color. Some on Twitter were reporting seeing very tiny bubbles on the wine. I did not see any in mine. The nose is marked by a lot of fruit including pear, apple, and melon. The taste is very dry and tart with a blast of acidity. Very enjoyable but the finish comes up a bit short. Needs food to truly show itself.

8:20 Update: The winery describes the wine as follows: " THIS GIRL IS SERIOUS! Aromatic, smooth, vibrant and tasty. Think tangerine, apricot, wet stone, key lime, clove, and nectarine. Now stop thinking and start drinking.....'CAUSE KUNG FU GIRL KICKS ASS! "

The wine is 100% Riesling from Evergreen Vineyard. This vineyard is located in The Ancient Lakes area of Columbia Valley AVA. The Ancient Lakes area is currently under review to receive it's own AVA designation.

8:45 Update: From CellarTracker: Average 88.3 pts. and median of 88 pts. in 10 notes.

Final Update: Thanks to all who participated tonight including those folks on Twitter - @nancyfeasts, @heyjenk, @nectarwine, @mykrro, @yakyakwine, @mmwine, @WAWineman, @KSyrah, @Sturat, @artpredator, @clivity, and @tlcolson. Apologies if I missed anyone. We'll do it all again next month.

10 Myths About Wineries, Social Media, and Their Interactions

Reminder that April's Virtual Tasting will be the 2009 Charles Smith Kung Fu Girl Riesling. The tasting will take place on Wednesday April 28th from 7-9pm. Read more about it here.

Recently I wrote a post encouraging Washington wineries to become involved in Social Media. Something I believe discourages involvement is a number of myths about wineries, Social Media, and their interactions. Here’s a list of the ones I hear most frequently.

MYTH #1:
“If I just produce great wine, I can expect to be discovered and whisked away to the magic wine kingdom by some anointed wine writer or by a uniquely intelligent customer base.”

Most people at wineries got into the business because they wanted to make wine, not because they wanted to market themselves in some fashion and certainly not because they wanted to dive into the world of Social Media. Many wineries hope for their ‘Oprah moment.’ However, most wineries are not going to get 100 point scores, have a years-long waiting list, and open only a day or two a year. Given that, what is plan B?


MYTH #2:
“Everyone else knows exactly what is going on with Social Media. I’m the only one in the dark.”

Many people feel they are the only ones who don’t know what is going on with Social Media. This is intimidating as people are reluctant to admit that they feel in the dark. The fact is Social Media and the world surrounding it are extremely fluid. Everyone is figuring it out as they go…except that some people aren’t going yet. Some people, though, are far down the road.

MYTH #3:
“If I hold my breath long enough, Social Media will go away, and I will be magically transported back to 2007.”

Many people I talk to just want Social Media to go away. They wish they didn’t have to become involved in it. Additionally, everybody wishes for a return to more prosperous times. Social Media, however, will be increasingly important in the coming years, and the economy most likely will remain stagnant for some time.

MYTH #4
: “If I enter the Social Media world, I can expect to see instantaneous results.”

A number of people I talk to enter the Social Media realm expecting to see an immediate impact on sales. When they don’t, they get discouraged and abandon the space. While it is possible to have relatively quick success with Social Media, for most it is a medium-to-long-term strategy. It will most likely produce very few immediate results except disappointment if you expect otherwise.

MYTH #5:
“If I just create a Blog, Facebook, and Twitter account, consumers will come and my wine will go.”

In addition to expecting instantaneous results, people at many wineries think Social Media is a cure all for selling wine. They believe that if they just create accounts on Social Media/Social Networking sites, lots of people will come to the winery and buy wine. The reality is, if you don’t have a well thought out branding, marketing, and sales strategy as well as good execution, don’t expect Social Media to fix it! Social Media is just another tool in the toolbox.

MYTH #6:
“If I use Social Media to tell people to come to the tasting room and buy my wine, people will come to the tasting room and buy my wine.”

People who run wineries are obviously interested in using Social Media to sell more wine. However, many people think of Social Media as a tool for straight advertising. For this reason, they use the tools available to push their product. This is a mistake. Social Media is about building relationships. The key is communicating and interacting with people. If all you do is talk, sooner or later, people stop listening. Think of it this way, do you turn the volume on the TV up or down during commercials? Some amount of product pushing is acceptable, but it should be limited.

MYTH #7:
“Social Media has never sold a single bottle of wine (or anything else for that matter).”

This is one I frequently hear. Social Media impacts decision-making that can impact sales. If you talk to people at major companies, they are all in on Social Media. Why? Because they believe that it can help them brand their product and move their product. Part of the reason why I believe this myth persists is that the relationship between Social Media and sales is often indirect, difficult to measure, and is more of a mid-to-long-term play. Additionally, even to the extent there is or isn’t an effect on sales, most people at small wineries don’t measure how people came to the tasting room or why they decided to buy their wine. Rather, they just look at net sales.

MYTH #8:
“If I want to be involved in Social Media, it’s going to take up all of my time. I’m too busy already.”

A big barrier to many people – which is a real one I believe – is the fear that involvement in Social Media will take an enormous amount of time. While this can certainly be the case – and there are surely Facebook and Twitter Twelve Step programs out there already – you can devote as much or as little time to Social Media as you wish consistent with the amount of time you have. Of course, if you put more in to it, you may get more out of it.

MYTH #9:
“But I’m a private person! If I use Social Media, everyone is going to know everything about me!”

Many people fear giving up their privacy by using Social Media. While I understand this concern, I believe it is less grounded in reality than many people realize. You can control what you put out there and say as much or as little about yourself as you like. Gary Vaynerchuck gave a great example of this when he was in Seattle promoting his book Crush It! He asked the audience how many people had seen a picture of his wife and/or knew her name. Very few hands went up. You can choose what you want to reveal. Besides, everyone already knows everything about you anyway!

MYTH #10:
“But I don’t want to be involved in Social Media, and you can’t make me!”

As I said earlier, many people wish Social Media would go away and steadfastly say that they will never become involved. The reality is, if you operate a winery, you are already involved. People are already talking about your wines and winery on blogs, Facebook, Twitter, and other mediums. You just don’t know it! Doesn’t it make sense to be part of the conversation?

Washington Wine Round-up April 15th to 21st

Reminder that April's Virtual Tasting will be the 2009 Charles Smith Kung Fu Girl Riesling. The tasting will take place on Wednesday April 28th from 7-9pm. Read more about it here.

A round-up of articles on Washington wine from April 15th to 21st.

From around the country…


No love this week.

From the blogosphere…


DrinkNectar.com
writes about H.R. 5034. Josh also writes about Arbor Crest and some recent Spokane wine releases.

Luxist writes about Figgins Family Wine Estates entrance into the beef business.

Chris Pirillo gives 100 Washington wineries to follow on Twitter.

WINO Magazine
writes about Merlot Gone Mad.

My Wine Words does a video post on Desert Wind.

Terroirists
write about Walla Walla Vintners Pepper Bridge Malbec.

Sawaya Photography
writes about Va Piano and Waters.

Pour Wine Review
writes about Foundry.

Through the Walla Walla Grapevine
writes about Tero Estate Winery. Catie also writes about Trio Vintners.

Walla Walla Wine News
gives its must do Spring Release report.

Schiller Wine
(who I had the pleasure of meeting at DrinkLocalWine.com I must add) writes about Hightower.

Women Who Wine
writes about Upland Estates and Goose Ridge.

Northwest Wine Quest Blog
writes about Snipes Mountain and Upland Estates.

Beyond the Bottle
lists certified Washington wineries and vineyards. Thad also writes about eco-friendly wines.

Wine Peeps
writes about Cabernet. They also write about Lone Canary, Katie Perry of Tildio, and the Columbia Crest H3 Merlot.

Woodinville Wine Update
writes about Passport.

Wine and Beer of Washington State
gives tips to enjoy Passport. They also write about Columbia Gorge Passport, Sheridan’s 2006 Cabernet Franc, give a Woodinville Passport Day 1 review and a pre-Passport wrapup.

1,000 Paintings
writes about SYZYGY.

Write for Wine
writes about William Church.

Yak Yak Wine
writes about Fox Estates Merlot.

Wine and Dine Walla Walla
writes about Figgins Family Wine Estates.

Well Red, White and Rose
writes about Covington.

Wine Foot
writes about Kana Winery.

NW Cork and Fork
writes about Fidelitas.

Wawineman
writes about the 2008 Efeste Riesling. He also writes about the 2008 Eroica Riesling, and Januik 2008 Baccus Riesling.

Jenna
writes about Walla Walla.

Washington Wine Guy
writes about Buty’s Beast Semillon.


From the locals…


The Seattle Times writes about Isenhower’s recent decision to scale back.

Woehler
writes about Pontin del Roza and Buried Cane.

The Bellingham Herald writes about Taste Washington.

The Tri-City Herald gives an interesting list of liquor store licenses.


Leftovers…


Wine Press NW
writes about Lake Chelan.


That's all folks!

Drew Bledsoe Goes From Quarterback to Doubleback

What follows is a Focus report on Doubleback. Download a .pdf version of this report here. Read previous Focus reports here.

To whoever first said ‘There’s no going home again,’ this one is for you.

Drew Bledsoe grew up in Walla Walla, a small town in the southeastern section of Washington State. Unbeknownst to him as a child, four hundred yards from where he lived was one of the state’s finest wineries, Leonetti Cellar. This winery would ignite what is now a thriving wine community in the Walla Walla Valley. Today the region encompasses over one hundred wineries and makes some of Washington’s best wines. Bledsoe also did not know growing up that people at Leonetti Cellar would play an integral role in his future.

Chris Figgins, the son of Leonetti founder Gary Figgins, was two years behind Bledsoe in school. While the two did not know each other particularly well growing up, Walla Walla was then and remains now a small town. Bledsoe and Figgins’ lives intersected in innumerable ways. Bledsoe’s mother was Chris’ junior high school English teacher. Bledsoe’s father, a teacher and football coach, gave motivational speeches Figgins vividly recalls to this day. The message was to aim high. It was a lesson Figgins internalized.

While both Bledsoe and Figgins grew up in Walla Walla, their lives took considerably different, though similarly successful, trajectories. After attending Washington State University (WSU) where he was a star quarterback, Bledsoe was drafted first overall in the National Football League (NFL) in 1993 by the New England Patriots. He would play fourteen seasons in the NFL, becoming one of the league’s most prolific passers. Bledsoe brought the Patriots to the Super Bowl in 1996 and played an integral role in the team’s first championship in 2002. While many remember the emergence of Tom Brady that year, true New England fans – of which I am one I must add - remember the pivotal role Bledsoe played in numerous games, including the conference championship, that season.

Figgins says there was “tremendous pride in Walla Walla about what Drew accomplished” at WSU and in the NFL. Figgins, however, always believed that Bledsoe would accomplish even greater things in his life after the NFL. Figgins just didn’t know he would also be playing a part in it.

Like Bledsoe, Figgins attended Washington State University where he studied horticulture. Figgins returned to Walla Walla to work at Leonetti Cellar in 1996. Over time, he assumed the roles of viticulturalist and winemaker. He now serves as Chief Executive Officer and Director of Winemaking.

An Interest in Wine

When Bledsoe was growing up in Walla Walla, the town was more about wheat than wine. Additionally, beer tended to be the beverage of choice at Washington State University (sources say this is still the case). It was therefore not until he was playing in the NFL that Bledsoe developed an interest in wine. This interest mostly centered around the dinner table with his wife Maura.

However, it was on a trip to Napa Valley in the late 1990s that Bledsoe became fascinated by the winemaking process. He says, “It was really, really intriguing to me at every level.” As his interest in wine increased, Bledsoe saw his hometown of Walla Walla emerge as a premier wine region. He was delighted to be able to order a bottle of wine from his hometown at restaurants.

As is the case with many wine lovers, Bledsoe had a moment that crystallized his interest in wine. In Bledsoe’s case, it was a 1998 Napa Valley Viader. Bledsoe says he was “walking around the house with this glass of wine and all of the sudden it just kind of stopped me in my tracks.” He suddenly realized wine was more than just a drink to have with dinner. His interest was ignited.

Bledsoe knew at the time that his NFL career wasn’t going to last forever. As he started to think about where to apply his passion once he retired from the game, he kept returning to wine. Bledsoe’s friend and fellow NFL quarterback Damon Huard knew a number of people in the wine industry. They began to discuss purchasing a vineyard together. The group soon expanded to include two other NFL quarterbacks, Rick Mirer and Dan Marino.

The group identified several pieces of property together, but all of the deals fell through. Bledsoe says this was “ultimately a blessing” as having four quarterbacks on any team – especially ones spread all over the country – was not a recipe for success. Bledsoe however continued pursuing his interest, purchasing a piece of property in the Columbia Valley outside Echo, Oregon.

The Subway Summit

Bledsoe was, at this point, already well acquainted with the wines of Leonetti Cellar. He also knew that Chris Figgins had made quite a name for himself at the winery. Similarly, Figgins had gotten wind of Bledsoe’s interest in wine. In 2001 when Bledsoe suffered a major injury on the football field, a mutual friend asked Figgins to send some bottles of Leonetti wine to Bledsoe as a ‘get well’ present. Figgins recalls thinking “Cool. Drew’s getting into wine!” Figgins did not, however, know just how interested Bledsoe had become.

Figgins’ cousin, a close friend of Bledsoe, would serve as somewhat of a matchmaker for the two. With Figgins, he discussed Bledsoe’s interest in wine. With Bledsoe, he discussed Figgins’ interest in consulting. Indeed, Figgins had been approached about consulting a number of times, but he had never found the right fit – someone who could be a true partner. He had heard about Bledsoe’s interest in starting a winery but wasn’t sure how sincere it was. He also wondered how Bledsoe might have been changed by life in the NFL. While Figgins knew Bledsoe had always been a person of exceptional character, he remembers thinking, “Let’s see what fourteen years and some big contracts does to a person.”

So where do one of Washington’s best winemakers and one of the NFL’s most accomplished quarterbacks meet to discuss a possible joint wine venture? Subway of course. While the location may have been less than formal, the meeting was more serious than Bledsoe originally anticipated. Bledsoe says, “We were about five minutes into the conversation when I realized I was being interviewed.” He quickly stepped things up, emphasizing that this was a real passion for him and that he wanted to be involved in every step.

While Figgins was impressed at Bledsoe’s responses to his questions (and he determined that life in the NFL had, in fact, not changed Bledsoe), he somewhat expected to hear that Bledsoe wanted to make a ‘trophy wine’ with lots of oak and lots of alcohol. When talk turned to wine and Bledsoe began talking about Italian and French wines, Figgins was intrigued. “It became clear to me that he had an educated palate,” Figgins says. Over the course of the conversation, Figgins realized not only how serious Bledsoe was about starting a winery but also how serious he was about making great wine, saying he realized that for Bledsoe it was “not a lifestyle play, not an ego play.” The two soon struck a deal to form a winery with Figgins as consulting winemaker.

General Manager and Coach


Once there was an agreement between Figgins and Bledsoe, the venture came together remarkably quickly. Bledsoe wanted to focus on making one wine, a Cabernet Sauvignon. In doing so, Bledsoe says he “wanted to be very tightly focused on making one wine and making it as great as we could.”

Drawing an analogy to football, Bledsoe says of the partnership with Figgins, “I am the owner and general manager. Chris is the coach and the quarterback. I make the big decisions about what direction we are going and what I want to see in the wine and Chris makes it happen.”

Bledsoe’s initial direction to Figgins was to make a wine that was expressive of the place it came from, specifically the Walla Walla Valley. Bledsoe says, “I did not want to make another super overripe, big oak, Napa blockbuster. I wanted a wine of more subtlety and elegance that allowed great Walla Walla fruit to shine through and be the dominant factor in the wine.”

This fit perfectly with Figgins’ approach. Like many, Figgins believes winemaking starts in the vineyard. Figgins says, “I don’t want to do ‘What style do you want?’ and I make that.” Instead Figgins started off by saying to Bledsoe, “Let’s talk about vineyards.” Figgins’ goal as a winemaker is to express the vineyard sources he uses and then apply any stylistic goals.

Figgins has been transitioning the Leonetti wines to entirely estate fruit. He had contracts for fruit from Pepper Bridge and Seven Hills vineyards, two of Walla Walla Valley’s finest, that he could use for the project. The 2007 vintage for the new winery was born.

Naming the Winery

With the fruit secured, the question was what to call the winery. Figgins pushed hard to name the winery ‘Bledsoe’, saying, “I love the name. It’s so unique.” Bledsoe, however, wanted the wine to speak for itself. He says, “I didn’t want anybody to have the perception that this was just an endorsement type deal. If the wine is good enough, it doesn’t need a celebrity endorsement.” Bledsoe also believes that discovery plays an important part in the joy of wine. He says, “With wine there should be a sense of discovery where you look at our bottle, try the wine, really like the bottle, and turn it around to find out more and find out ‘Cool. That’s Drew Bledsoe’s bottle.’”

With the name ‘Bledsoe’ ruled out, coming up with a moniker for the winery proved to be considerably harder than anyone anticipated. Bledsoe “thought a name would just fall out of the sky.” Names did of course, but all of them had already been taken. After working with the Seattle-based firm, Kendall Ross, the group winnowed hundreds of names down to a baker’s dozen for a trademark search. One of those names was Doubleback. Bledsoe liked the name with the connotation of returning, or doubling back, to his hometown on Walla Walla with the winery. Having the letters DB in the name, which also would play subtlety into the label design, was a happy coincidence.

The First Vintage

The first thing one notices about Doubleback’s inaugural release – a 2007 Walla Walla Valley Cabernet Sauvignon - is that the bottle is immaculately designed. The bottle is physically beautiful with weighted glass, hand numbering (a “logistical nightmare” Figgins says), and an elegant label design. ‘Doubleback’ is etched around the neck of the bottle. The Doubleback insignia forms swooping silver and gold arches, reminiscent of cattle horns, above the word DOUBLEBACK. On close inspection, the insignia also forms the letters DB.

What is inside the bottle does not disappoint. The two primary components of the 2007 wine come from Block One of Seven Hills Vineyard and the oldest block of Pepper Bridge. Keeping with the idea of focusing on the fruit, the wine was aged in fifty percent new French oak. Six hundred cases of Doubleback wine were produced in 2007. Bledsoe’s long-term goal is to grow the winery to several thousand cases annually.

Bledsoe says that the results for the 2007 vintage were exactly what he hoped they would be, saying the wine “has subtleties, elegance but still great complexity.” Figgins is similarly pleased saying the wine is, “highly aromatic with a real purity of fruit.”

While at this young age the oak shows through at times, as the wine opens up the luscious Walla Walla fruit steals the show. The wine is marked by opulent fruit aromatics and flavors while remaining elegant and structured. Compared to the Leonetti Cellar wines, the Doubleback 2007 Cabernet Sauvignon is a bit softer and more fruit forward. While the wine will benefit from additional years in the bottle, many will find it irresistible now.

A Winning Team

Bledsoe says there are many parallels between being successful in football and being successful in any business, including making wine. “At the most simple level, having a great team around you is more important than any other factor,” he says. Bledsoe describes the partnership with Figgins as “spectacular.” Figgins is equally enthusiastic about Bledsoe’s commitment to making great wine, saying, “A lot of people don’t get it. Bledsoe gets it.” Heidi Wells, another Walla Walla native, rounds out the team as Doubleback’s General Manager.

Much like football, Bledsoe also says of making wine, “If you are going to be successful, it takes really hard work for a long time.” Bledsoe continues by saying it requires “tons of patience and a thousand small decisions that end up making a big impact.”

One large decision is what fruit to use for the wine in the long-term. While the winery sourced fruit for the 2007 to 2009 vintages, Bledsoe’s goal is to ultimately use estate fruit. In determining a site for an estate vineyard, Bledsoe and Figgins wanted a place that would be stylistically consistent with their initial offerings. Bledsoe invested in a fifty-acre estate vineyard in the SeVein project, which Figgins started with a group of investors. The vineyard, named McQueen after a family name, was planted in 2008 to Cabernet Sauvignon, Merlot, and Petit Verdot. The site is in close proximity to Seven Hills Vineyard, which provides the backbone of Doubleback’s first vintages. Doubleback currently produces its wines at a custom crush facility in Walla Walla. Bledsoe says he may build some type of facility at the McQueen Vineyard site in the future.

While both Bledsoe and Figgins are excited about the potential of the McQueen vineyard, they say the transition to estate fruit will not be made until the quality of the fruit exceeds the vineyards they are currently using. Bledsoe also owns the Flying B Vineyard in the Columbia Valley outside of Echo, Oregon. This vineyard is planted to fifty acres of Cabernet Sauvignon, Cabernet Franc, Merlot, and Syrah. The first fruit from this vineyard came in 2007.

While he lives in Bend, Oregon with his wife and four children, true to his word, Bledsoe has been involved in Doubleback every step of the way. He travels to Walla Walla about once a month most of the year and more frequently during critical times for the winery. Figgins has been impressed with just how involved Bledsoe has been, saying the family has even been involved in vineyard planting and worked the bottling line. “And not just for photo-op stuff,” Figgins adds.

Figgins and Bledsoe recently conducted blending trials for the 2008 Doubleback wine at Bledsoe’s home. While Bledsoe says he is “really, really proud of what’s in the bottle for 2007,” he is even more excited about the 2008 vintage saying, “It’s been hard not to talk about it.” Figgins similarly describes the 2008 vintage as “awesome.”

Going Home

Although he lives in Bend, Bledsoe keeps his hometown close at heart. He talks enthusiastically about the way the wine industry has revitalized Walla Walla in the last fifteen years. He also stays in close touch with the Walla Walla Valley’s ever-growing wine industry. When asked for his top valley wineries, Bledsoe gives a long list of favorites from wineries large and small. Consumers asked that same question in the future seem sure to add Bledsoe’s Doubleback to their list.


Doubleback Cabernet Sauvignon Walla Walla Valley 2007 $85
Rating: */** (Excellent/Exceptional) A nose that informs you on the first sniff that there is serious stuff in your glass with sweet French oak spices, toast, bittersweet chocolate, intense red and black fruit aromas, high-toned herbal notes, and a dusting of earth. An intriguing mixture of bold and lithe flavors on a palate tightly packed with opulent blackberry and cherry fruit robed in silky oak. Has a big black fruit lick on the mid-palate accented by silky tannins. Winds and weaves on the finish.


Sample provided by winery
Photos courtesy of Doubleback

San Juan Vineyards

Reminder that April's Virtual Tasting will be the 2009 Charles Smith Kung Fu Girl Riesling. The tasting will take place on Wednesday April 28th from 7-9pm. Read more about it here.

San Juan Vineyards is located in Friday Harbor, Washington on San Juan Island. The winery’s tasting room is located in a schoolhouse established in 1896. San Juan Vineyards and winery were established exactly one hundred years later by Tim Judkins and the late Steve Swanberg. Yvonne Swanberg now runs the winery, “living out my late husband’s dream.”

San Juan Vineyards first vintage was in 2000 with thirty-five cases of Madeleine Angevine from their estate vineyard. This wine, along with the Siegerrebe, which is also from estate fruit, are the signature wines for the winery. They account for thirty percent of San Juan Vineyards’ overall production.

Due to the coastal location of the seven-acre estate vineyard, Madeleine Angevine, Siegerrebe, and Pinot Noir are the only grapes grown there. For the rest of its wines, the winery sources fruit from vineyards in eastern Washington, including Destiny Ridge, Alder Ridge, Kestrel, Red Willow, and Coyote Canyon.

Chris Primus, who joined the winery in 2006, serves as winemaker. Primus, who holds a Masters degree in chemical engineering, had previously worked in the wine industry in Oregon, including stints at Maysara and J Christopher Wines. Swanberg exudes excitement about Primus describing him as a “born winemaker.”

San Juan Vineyards produces 4,000 cases annually.

San Juan Vineyards Madeline Angevine Estate Grown Washington State 2008 $17

Rating: + (Good) Shows just a tinge of color. An enjoyable, aromatic wine with a complex, evolving nose with floral notes, Asian pear, mandarin oranges, spice, and mineral. Tart and austere on a palate that shows an abundance of citrus flavors but little fruit otherwise. 100% Madeline Angevine. San Juan Vineyards. Fermented in stainless steel. 11.2% alcohol. 0.05% Residual Sugar. 11.2% alcohol. 583 cases produced. Recommended.

San Juan Vineyards Cabernet Franc Horse Heaven Hills 2007 $20

Rating: + (Good) Toasted oak spices, pepper, anise, and light herbal streaks mark a lightly aromatic nose. Opens up and hangs on well balanced palate with cherries, spice, and chocolate. 100% Cabernet Franc. Alder Ridge Vineyard (Horse Heaven Hills). Aged 20 months in French, American, and Hungarian oak. 14.5% alcohol. 220 cases produced. Recommended

San Juan Vineyards Riesling Yakima Valley 2008 $15

Rating: + (Good) Just a tinge of color. A pretty nose with sugared pink grapefruit, apricot, and mineral notes. Tingles the tongue with acidity on a very dry wine with crisp fruit flavors. Finish rolls and evolves. 100% Riesling. Smasne Brothers Vineyard. Fermented in stainless. 13.4% alcohol. 0.6% Residual Sugar. 233 cases produced.

San Juan Vineyards Cabernet Sauvignon Yakima Valley 2006 $20

Rating: + (Good) Nose shows classic varietal aromas of cherry, herbal notes, and bell pepper. An even palate with an abundance of fruit. 100% Cabernet Sauvignon. Kestrel View Estates (Yakima Valley). Aged 20 months in French and Hungarian oak. 14.3% alcohol. 324 cases produced.

San Juan Vineyards Merlot Yakima Valley 2006 $23

Rating: . (Decent) Oak aromas are at the fore on the nose with dill, caramel, and spice accompanied by cherry, herbal notes, and a touch of licorice. A rich, thick wine on the taste with a lot of good things going on but the oak is a bit obtrusive. 100% Merlot. Kestrel View Estate Vineyard (Yakima Valley). Aged 20 months in French, American, and Hungarian oak. 14.3% alcohol. 351 cases produced.

San Juan Vineyards Chardonnay Yakima Valley 2008 $14

Rating: . (Decent) Light straw colored. Nose is marked by spice, butter, hay, and abundant oak aromas. Tart and acidic on the palate while retaining a rounded mouthfeel. A pleasant wine overall but the oak seems a bit too up front.100% Chardonnay. Kestrel Vineyard (Yakima Valley). Aged 9 months in French and American oak. 14.3% alcohol. 550 cases produced.

Samples provided by winery

Meet expectations? Beat expectations. Walla Walla's Tranche Cellars

Reminder that April's Virtual Tasting will be the 2009 Charles Smith Kung Fu Girl Riesling. The tasting will take place on Wednesday April 28th from 7-9pm. Read more about it here.

Creating an excellent $70 bottle of wine may not necessarily be easy, but it’s significantly easier than creating a wine of similarly high quality at half or a quarter of that price. However, in the current economic climate where consumers are acutely focused on both price and value, it is increasingly important for wineries to not only try to meet expectations but also to beat them. It is equally important to do so at reasonable prices.

One winery that has thus far consistently met this challenge is Tranche Cellars. Tranche Cellars, located in Walla Walla, is the second of three wineries founded by Michael Corliss and Lauri Darneille. The first, Corliss Estates, opened in 2008 to much fanfare, producing some of the year’s best wines. The third winery, RMV Cellars, will have its first release this spring.

Tranche Cellars is named after a French term for slice or section. In Bordeaux, wine is often released in ‘tranches’, with the first tranche typically the least expensive and subsequent tranches priced based on consumer response.

No such shenanigans have occurred thus far at Tranche Cellars. In fact, the winery has offered great value across different price points. Prices have ranged from $16 (Pinot Gris) to $20 (Barbera) to $36 (Red Wine and Cabernet Sauvignon). While some of the wines, such as the ones sampled here, are above the magic $25-and-under mark consumers are focused on at present, each wine Tranche has offered has provided excellent value, drinking like a wine at a higher price point. These wines also benefit from a few extra years of cellaring at the winery.

For people looking to brighten these dark economic days with the occasional $35 wine that drinks like a $50 wine , look no further than two recent releases from Tranche. Both wines sampled here are big and bold in style. The first, the 2005 Slice de Pape, is a Ch̢teauneuf-du-Pape tribute, and what a tribute it is with earth and dusky spices. The second, the 2004 Columbia Valley Syrah, comes principally from two different blocks in Stillwater Creek Vineyard. The first block is located high on a hill that features non-nutritive soils and low yields. The other block is from the bottom of the same hill where the soil and nutrients slide down from above resulting in higher yields. Combined together in this wine - which also features a splash of Grenache Рthe results provide another example of how well Syrah excels in Washington.

As with previous releases, each bottle contains a bottled-on date and an irreverent description of the wine on the back. While fruit for these wines came from vineyards throughout the Columbia Valley, Corliss and Darnielle’s long-term goal, as with Corliss Estates and Red Mountain Vineyards, is to transition to using estate fruit in the future.

See previous posts on Tranche Cellars here.

Slice of Pape Red Wine Columbia Valley 2005 $35

Rating: * (Excellent) An alluring nose with dusky spices, leather, earth, and berries. Beautifully textured with weighty red fruit across the palate. Hangs on for a long finish. A tribute to the style. 56% Grenache, 38% Syrah, and 6% Cinsault. Northridge, Birch Creek, and Stillwater vineyards. Aged 30 months in neutral French oak. 15.2% alcohol. 143 cases produced.

Syrah Columbia Valley 2004 $35

Rating: * (Excellent) A pretty, aromatic nose with sweet spices, blackberry, earth, and chocolate. A nose to linger over. A lot of red and black fruit on a palate that manages to be simultaneously fruit-filled and restrained. Sweet cranberry flavors emerge at times. Syrah with a splash of Grenache. Stillwater Creek, Stonetree, and Clifton Hill vineyards. Aged 28 months on 70% new French oak. 15.4% alcohol. 80 cases produced.

Washington Wine Round-up April 8th to 14th

A round-up of stories from April 8th to 14th on Washington wine.


From Around the Country


The Chicago Tribune writes about Charles Smith.

Business Week
writes about Betz Family Winery.

Wine Spectator writes about Washington trying to lure wine tourists.

The Pittsburgh Post-Gazette picks up last week’s Seattle Times story about Bainbridge wineries as do numerous other outlets.


From the Blogosphere…


Paul Gregutt
gives a fascinating appraisal of Washington terroir by Dr. Alan Bussaca. He also writes about Isenhower Cellars making some difficult economic decisions.

The Oregon Wine Blog writes Part 3 on Taste Washington.

Cuvee Corner writes about Forgeron Cellars 2007 Chardonnay.

Drink Nectar
looks at Desert Wind’s white wines. Josh also continues the search for under $10 wine and writes about Townshend Cellars.

Wine and Beer of Washington State writes about Cote Bonneville. They also write about Full Pull Wines.

WINO Magazine
writes about the art and science of winemaking.

Woodinville Wine Update
writes that Pondera will be moving to Woodinville. Zerba will also be opening a tasting room in May.

The Pour Fool gives an April grab bag of wines.

Seattle Wine Blog writes about new Washington wineries at Tasting Washington.

Washington Wine Guy
writes some notes on Cayuse and K Vintners.

The Examiner.com writes about touring urban wineries in Woodinville.

No Wine Snobs Allowed
writes about 509 Wines.

Wine Peeps
does a spotlight on Cave B. They also write about the 2007 Boomtown Syrah.

Terroirists
argue against stereotyping grapes.

WAWineMan
writes about Canon del Sol’s 2005 Meritage. He also writes about Bonair’s 2008 Chardonnay and Dowsett’s 2008 Gewurztraminer.

WineSquire.com
writes about Walla Walla’s upcoming Spring Release weekend.

General Wine Thoughts
writes about Dunham’s Trutina.

Wine Dine Walla Walla
writes about Otis Kenyon’s new Woodinville tasting room.

The Grumpy Winemaker
gives some advice on promoting wineries.

Cellarmistress’ Cellar Talk
writes about Northstar.


From the locals…


The Seattle Times writes about small, high-end wineries getting creative to survive the bad economy.

Writing for the Seattle Times, Paul Gregutt writes about Pinot Gris.

Woehler
writes about Wines of Substance.

The Bellevue Scene writes about wine storage options in Bellevue.

The Whitman Pioneer writes about the effects of the economy on Walla Walla.

Wine Press NW
writes about Virginie Bourgue leaving Cadaretta.


Leftovers….


WineSquire.com
writes about Walla Walla’s Italian pioneers.


That's all folks!

Screw it! (or how I came to believe in screw caps and other alternative wine closures)

Like many a wine lover, I was raised on cork. I loved the experience of opening a bottle of wine. I loved the sound. I loved the ‘romance’ of it all.

While I noted over the years the various alternative closures being used, I never took much interest in them. Screw caps? Screw that! I love my cork. Vino Loks? Vino what? Forget about it.

This was my mantra for years. I heard the discussion that was going on but always thought that cork had won the battle or had at least won the battle with me.

Until now.


I come to you as a convert. The thing is, I am tired of corked bottles. TCA tainted bottles that is. Part of wine, for me, is the joy of buying wine, cellaring it, and anticipating the day when you open it with a group of friends you are excited to share it with.

I can think of one such example from several years ago. I spent a great deal of time thinking about the perfect wine to bring to a good friend’s birthday party. After much deliberation, I arrived at the perfect choice (the perfect choice).

CORKED!

Happy birthday! What a great start to your new year. What’s this? Your twenty-fifth wedding anniversary party? Better luck next year. Johnny’s big day? He’ll have a few more right? How may stories go like this?

Recently I have gone through a series of bottles, some of which I have been particularly excited about and some of which have just been an every day bottle of wine. But numerous times I have arrived at the same place.

CORKED! CORKED! CORKED! CORKED! CORKED!

And this is what brings me here today. I am simply tired of corked bottles of wine.

Here are the big problems with corked wine bottles in my mind. First, for those special occasions, do you really bring a backup bottle each time just in case? And even if you do, it’s like, “After talking that bottle up to you, here’s the bottle that was the runner-up!” Drag. And when a bottle is corked, does anyone listen if you say, “It’s not my fault!”? No. You are impugned.

Second, how many people out there reading this find a corked bottle of wine and bring it back to the winery or the wine store? Personally, I do so very infrequently. Why? Many times these are bottles that I have held onto for numerous years. The money is long gone. What was important is what was in the bottle. I find myself rarely able to muster the energy to call a winery or wine shop or stop by and say, “I have a bottle of this YEAR wine from YOUR WINERY HERE that I bought LONG AGO, and it’s flawed. Could you credit me for it if you can remember what you charged me for it? Or better yet, could you send a bottle over right now because I was opening it for a special occasion?”

Doesn’t happen. Most consumers do not bring corked wines back to wineries or wine stores. Rather, they just think 1) it’s a bad bottle of wine – as in, YOU MAKE/SELL BAD WINE - or 2) they know it’s corked and they just pour it down the drain or 3) they don’t know the difference (lucky them).

Every one loses in these scenarios. Perhaps the wine steward recommended the wine. “I won’t trust him again!” the patron thinks. Perhaps it is a bottle from some storied winery. “Overrated!” the consumer thinks. “I won’t buy from them again.” Even for consumers who know the bottle is corked and that it is not the fault of the winery, it is hard to muster the energy to try to get the money back or replace the bottle because the moment and money is quite simply, gone. The damage is done.

There has been a long discussion about various closure types. I’ve read it. I’ve heard it. I used to dismiss it. No more. I’m ready for alternative closures. I’m simply tired of corked bottles. Screw caps? Vino Loks? Zorks? Bring ‘em on.


Next week on this topic, a post on Washington wineries using alternative closures and what their experience has been.

One of Washington Wines’ First Families Extends Its Reach

The Figgins family has already left an indelible mark on the Washington wine industry. Gary and Nancy Figgins founded Leonetti Cellar in 1977. The winery was the first in the Walla Walla Valley, which now is home to over one hundred wineries.

Leonetti, which has a thirty-plus year history of producing some of Washington’s finest wines, is also one of the few wineries in the state with a second generation Washington winemaker. Gary and Nancy’s son Chris Figgins began working at the winery in 1996. Figgins now holds the position of Chief Executive Officer and Director of Winemaking.

So after more than thirty years of winemaking and with a new generation at the helm, what will the family do for an encore?

The Figgins family announced today the formation of Figgins Family Wine Estates (FFWE). This will be an umbrella company for Leonetti Cellar and two new ventures – FIGGINS and the Lostine Cattle Company.

The first of these ventures is a new winery called, simply, FIGGINS. Leonetti Cellar has devoted itself largely to varietal wines from multiple vineyards. FIGGINS, by comparison, will focus on a single, Bordeaux-style blend that will come exclusively from one vineyard.

Chris Figgins says the inspiration to focus on a single vineyard came partly from finding the right site. The new vineyard, planted in 2004, is located near the family’s Mill Creek Upland vineyard. Figgins says, “When we saw this piece of land, we knew it was special.”

Figgins was also inspired by a trip to Bordeaux. While the New World has focused largely on producing varietal wines, in Bordeaux the focus is more on finding the balance of varieties in an area that “elevate the site to its full potential.” This will be the goal of the FIGGINS wines.

The new vineyard, which bears the name of the winery, is sixty acres, thirty-two of which have been planted to Cabernet, Merlot, and Petit Verdot. Figgins says he expects Petit Verdot to play a significant role in the blend, although percentages will vary each year based on vintage conditions. Figgins describes the Petit Verdot at this site as “incredibly dense, big, dark, brambly fruit with great tannins and acidity.”

Like the Leonetti Cellar Cabernet Sauvignon and Reserve, Figgins plans to hold the wine back a bit before release. The first release, the 2008 vintage, will be available in the fall of 2011. The winery plans to make approximately 900 cases initially and grow slowly over the next ten years (mailing list sign-up is open).

The second new venture under the FFWE umbrella is the Lostine Cattle Company. The company is named after the ranch site, which is located in the Wallowa Valley in Oregon’s northeast corner near the Lostine River. The valley is on the other side of the Blue Mountains from the Walla Walla Valley.

This is the Figgins’ first foray into food production. Chris Figgins says the goal is to provide a “whole table” experience of food and wine. Figgins says he has always had a long-term interest in the cattle business saying, “I don’t know why, but I have a romantic notion of it.”

While winemaking and beef production may seem dissimilar, Figgins believes this is far from the case saying, “I am constantly amazed at how winemaking parallels producing high quality, grass-fed beef.” Figgins cites the common importance of site selection and farming techniques.

Figgins describes Lostine Cattle Company as the, “antithesis of modern day beef production” (indeed he sites ‘The Omnivore’s Dilemma’ as part of the inspiration for the business). With Lostine, Figgins plans to take the same, sustainable practices championed by Leonetti Cellar and apply them to beef production.

For cattle, Lostine will use the Scottish Highland breed. The cattle will be free range, feeding on grass from an organically farmed pasture. Figgins is also experimenting with feeding the cattle pomace – the solid remains of grapes after pressing – each year during crush. Figgins says growing up, he would watch cattle “literally run” to eat the pomace shoveled behind the winery (I think many consumers would too). The beef will be sold direct to consumers starting in the fall of 2010 (read more about Lostine Cattle Company here).

While these announcements represent a significant expansion for the Figgins family, do not expect Leonetti Cellar to lose its focus. Indeed, the new releases of Cabernet Sauvignon and Merlot, reviewed here, show the winery continuing to build on its long tradition of excellence. The 2007 Cabernet Sauvignon in particular is a wine for the ages. It stands among the best wines produced in Washington in the exceptional 2007 vintage. Figgins, however is equally excited about the 2008 Merlot, saying this grape is, “better in Washington State than any region outside of Pomerol.”

With the new releases, Chris Figgins continues to put his own imprint on the Leonetti wines. Figgins began to exert greater influence over the family’s winemaking around 2000 as he assumed responsibilities from his father. In particular, Figgins has emphasized making wines that are more “vineyard-driven instead of style-driven.” This has resulted in the use of less new oak to emphasize fruit aromatics and flavors as well as a number of other changes. These changes have also coincided with the winery’s transition to using exclusively estate fruit for its wines.

With the formation of Figgins Family Wine Estates and a series of new ventures, many people might be content. Figgins however looks to continue to push boundaries and explore new directions. In this way, he seems sure to not only broaden Leonetti’s imprint but also leave one that is distinctively his own.

Leonetti Cellar Cabernet Sauvignon Walla Walla Valley 2007 $85

Rating: ** (Exceptional) An outrageously enjoyable nose with toasty smoke and oak spices floating above earth aromas, licorice, and high-toned cherries. Rich but elegant on the palate with penetrating cherry fruit and a firm backbone of tannins. A seemingly endless finish. A beautiful expression of Walla Walla fruit in general and Leonetti estate vineyards in particular. Stands tall among the best wines produced in the exceptional 2007 vintage. Give three years to five years. 76% Cabernet Sauvignon, 17% Merlot, 4% Carmenère, and 3% Malbec. Loess, Mill Creek Upland, and Seven Hills vineyards. Aged 22 months in new and neutral French and American oak.

Leonetti Cellar Merlot Walla Walla Valley 2008 $70

Rating: * (Excellent) This is the first time Leonetti Cellar’s Merlot has been 100% variety since the 2000 vintage, a reflection of winemaker Chris Figgins’ confidence in the fruit from this vintage. A complex nose with silky oak aromas mixed with bittersweet chocolate, earth, black licorice, and red and black fruit. Tightly wound at present on the palate with abundant cherry fruit and lithe tannins. Give two to three years. 100% Merlot. Loess, Seven Hills, Pepper Bridge, and Mill Creek Upland vineyards. Aged 15 months in new and used French oak.


Pictures courtesy of Figgins Family Wine Estates

April Virtual Tasting - Charles Smith 2009 Kung Fu Girl Riesling

Read the Twitter stream of my #socialwine interview by @CraigSutton where we discussed wine blogging.

In honor of spring, our April Virtual Tasting wine will be the 2009 Charles Smith Kung Fu Girl Riesling. This wine retails for $12 and is widely available. The tasting will take place on Wednesday, April 28th from 7-9pm Pacific Time.

What you need to do to participate is:

1. Buy this month’s wine from a local retailer or from the winery

2. Post your comments/tweets on the wine that night between 7 and 9pm. For those on Twitter, follow me @wawinereport. I will be using the hashtag #WAwine during the event.

Look for regular updates to the blog and comments from virtual tasters starting at 7pm on the 28th. Hope you'll join us.


Previous Virtual Tastings

March #WAMerlot Twitter Tasting
February Hedges CMS Red 2008
January Columbia Crest Grand Estate Cabernet Sauvignon 2007
December '09 Virtual Tasting - Brian Carter Cellars Abracadabra 2007
November '09 Virtual Tasting - Columbia Crest H3 Cabernet 2007
October '09 Virtual Tasting – Owen Roe Sinister Hand 2008
September '09 Virtual Tasting – Novelty Hill Cabernet CV 2006
August '09 Virtual Tasting – Barnard Griffin Cabernet 2007
July '09 Virtual Tasting – Charles Smith Kung Fu Girl Riesling 2008
June '09 Virtual Tasting - Waterbrook Melange Noir 2006
May '09 Virtual Tasting - Charles Smith Boom Boom! Syrah 2007
April
'09 Virtual Tasting- Columbia Crest GE Shiraz 2006
March '09 Virtual Tasting - Magnificent Wine Co. House Wine 2006
February '09 Virtual Tasting - Hedges CMS Red 2007
January '09 Virtual Tasting - Columbia Crest GE Merlot 2006
December '08 Virtual Tasting - Ch. Ste. Michelle Indian Wells Cab 2005
November '08 Virtual Tasting - Russell Creek Tributary Red 2006
October '08 Virtual Tasting- Columbia Crest H3 Cabernet 2006
September '08 Virtual Tasting - Tamarack Firehouse Red 2006
August '08 Virtual Tasting- L'Ecole No. 41 Recess Red 2006